Ending aside, it remains a relevant, even prescient story all these years later, which may help explain why film versions continue to crop up every decade or so, and why they seem to be appearing with greater and greater frequency.
It’s worth noting, after all, that at novel’s end, the aliens decide the human race is too resistant to their plan, so they pack up and go home.įortunately, most of the filmmakers who’ve taken a stab at bringing Finney’s novel to the screen have politely ignored that part of the book. It was read as an indictment of the suburban conformity of the Eisenhower years and, more generally, as a protest against the loss of emotion, imagination, and individual identity in a mechanized age.įinney would deny all those things, insisting he was just trying to write an exciting sci-fi thriller. On the flipside, it was also seen as a cautionary tale about creeping totalitarianism in the wake of the McCarthy Era. It’s been held up as a shining example of Cold War paranoia, reflecting American fear of communist infiltration.
Although inspired, at least in part, by Robert Heinlein’s 1951 novel The Puppetmasters and possibly William Cameron Menzies’ 1953 Invaders from Mars, Finney’s novel took a much darker tone and employed a handful of standard noirish elements, which left the story open to countless social and political interpretations. The Body Snatchers, Jack Finney’s novel about an insidious and silent alien invasion that threatens to turn the world’s population into a horde of emotionless, single-minded replicant drones, was published in 1955 after starting life as a magazine serial.
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